Not totally sure where I’m going with this yet, but it’s fun to play around with! There aren’t a whole lot of characters in In Retrospect, but I do like the idea of using text animation to give the few characters there are well… character.
Friends! Officially announcing my game, In Retrospect, for PC / Steam and hopefully more soon.
Please follow, link, share, etc.!
Are you excited?!
It’s a tough decision to scrap something after you put so much work into it, but this cape thing ended up being a much bigger project than I originally intended, and I really need to finish this game one of these days.
The problem with making an animated cape is that it really needs to be a lot more reactive than a basic player animation. Honestly, the best way to do this would probably be changing the cape animations based on physics, but I don’t have anything that complicated set up, so I am currently changing the cape animations based on changes to the player animations.
BUT… It’s not that simple. For instance, there are currently several different actions where the player has the same jump animation… a regular jump, shooting off the high jump button, falling off of something, bouncing off of something, being caught in a wind stream (up or down), etc. Sometimes the player is moving up, sometimes down, sometimes slowly, sometimes quickly, sometimes up a short time then down, sometimes up a long time then down, sometimes coming into a fall from a jump, sometimes from a float, sometimes from hitting an enemy, etc. A single cape animation simply does not work for all of these different contexts. Often it won’t even be hanging in the right direction.
That’s just one example, albeit the most complicated one.
So I’ve had to make a lot of cape animations, and a lot of small transition cape animations to get from context X to context Y, etc. Already the cape is by far the largest animation sheet with the most animations right now. Which also means that a lot of the animations are currently a bit wonky looking, since I made many of them in a short amount of time and haven’t had the time or energy to go back and clean them all up yet.
The TLDR is that it’s been a ton of work and it is tough to really get the cape flowing the right way for all cases. I think I have it more or less playing acceptable animations correctly for 90% of cases, but it’s those edge cases that are tough to figure out, and require some deep dives into the code and really understanding exactly what is happening with the player at any given moment. And even once I got decent cape animations set up for all possible contexts, it would still take a lot of work to go over the many animations and make them look good. I know I could do it to my own level of satisfaction eventually, but is it really worth the time and energy?
Anyway, below is a quick video to show you where I left off. You can see some places where it isn’t really using a good animation for the context (running up hills in the start, in the wind streams, etc.) and you can also see how sloppy some of the animations are even when the cape is in more or less the right place for the context.
I’m not sure if I’m going to totally scrap the cape idea yet, because I love it in theory, but I’m at least going to put it aside for now. Much more important things to be working on at the moment, and I don’t want to get caught up in stuff that isn’t helping get this game finished.
Well, I’m getting married. Actually that is kind of old news at this point, the engagement was last year. But the wedding planning has started in seriousness this year, and oh boy, it’s a pretty huge project! Especially if you are like my fiance and I and basically want to do everything yourselves in your own creative ways.
So, to be quite honest, the game has taken the back burner for a bit. I’m still working on it but between my day job and wedding planning it has been tough to find the time and energy for it.
What I have found time for is to is work on the main character design again. I never really finalized a main character design that I liked in the past, so I made a sort of abstract character as a placeholder. I decided to go back to old designs though and tweak them a bit, bringing back the helmet but adding stars on the glass of the helmet (which look pretty cool when it animates but I’ll save that for another update) and I think I’m finally falling upon something that I’m happier with. Oh, and I’m adding a cape (VERY much still a work-in-progress) because why not, capes are cool.
I’ll try to keep things updated regularly but there may not be a ton to say until after June 22nd when I can dive back into this much deeper again.
Just checking in at the start of the new year to let you know that yes, development is still proceeding well and a 2019 release is still the plan. Will post soon with a more detailed update.
Although I’ve done most of the graphics for In Retrospect myself, I hired a graphic designer friend of mine to do the logos for the game and my company, Paper Salamander. And he came up with some awesome stuff. But we’ll get to that later. During the process of communicating what I was looking for to him I collected a fair amount of video game logos that I like, so I figured I’d make a post about it.
Let’s start retro. One of my all-time favorite logos is the Yoshi’s Island logo, because it totally nails the fun, youthful tone of the game (you play as Yoshi and baby Mario.) Simple, colorful, and a super neat font.
I also always had a thing for the “perspective” style logos that appeared a lot in the 8-bit and especially 16-bit eras.
They often did some neat things with the coloring / gradients in that era as well.
Of course a lot of new indie games are heavily inspired by the past, and sometimes a nice simple retro logo does wonders for a game.
Another thing I like in my logos is a sense of simplicity and beauty. Of course, this depends on the game and whether that fits or not, but when it works, it really stands out for me. I especially like the colors on this one, and you’ll see below that they also show up on the logo for Paper Salamander.
And then you have something like Gone Home, which keeps it VERY simple in the text itself, a single color scratchy font, but it works in the context it is used.
Thomas Was Alone also keeps it simple, but add in the shapes and it really represents the game well.
Indie games in general have a lot of my favorite logos. They really seem to try to say something about the game through the logo. Celeste is about a lot of things, but on the surface it is about climbing a mountain, so they put the mountain right in the logo.
I mostly like this BIT.TRIP logo because of the colors, but it’s a pretty cool retro logo with a neat font as well.
Life Is Strange works the photography in as well. And has a custom scratchy font that works.
It almost feels unfair to include Tomorrow Corporation logos because their art is so amazing it feels a step above most indies.
And another Tomorrow Corporation game logo that works very well in context.
One of my favorite indie game logos is for Night in the Woods, it has a lot of energy and style.
And finally, some busy logos that actually work as busy logos. The World Ends With You to start.
Just love everything about this Earthworm Jim logo. It has a LOT going on, but it all looks good together.
Pikmin 3 uses the Pikmin themselves to create a logo, it’s so adorable!!!
Viewtiful Joe, a wild game with a wild logo.
I don’t know if this is an official logo but I can’t do anything about style without including the king of style, the Persona games.
I’m sure I’m missing a bunch of great ones, but this will have to do for now.
Anyway, here are the logos for Paper Salamander and In Retrospect! I think they both turned out great!